Edition 8

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Crises,Tears & Blood: Nicolò Filippo Rosso

Nicolò Filippo Rosso is an acclaimed international photographer renowned for his powerful and evocative documentary work. Born in Italy, Rosso developed a passion for visual storytelling early in his life, which led him to pursue a career in photography and journalism. His work predominantly focuses on social, environmental, and humanitarian issues, capturing the raw emotions and resilience of marginalized and vulnerable communities around the world.

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Katharina Mouratidi: From Passion to Purpose, Leading a Non Profit Gallery

Katharina Mouratidi serves as the artistic director of f³ – freiraum für fotografie, a distinguished non-profit gallery situated in the vibrant heart of Berlin-Kreuzberg. This gallery is dedicated to presenting exceptional photography and visual art that engage with the pressing questions of our times.

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Geoffrey Koslov on Curating Excellence

Geoffrey Koslov co-founded Koslov Larsen, an AiPAD member fine art gallery located in the museum district of Houston, Texas, for contemporary photography-based art. He had served for many years on the Photography Acquisitions Subcommittee for the Museum of Fine Arts, Houston (MFAH), and the Board of Directors for the Houston Center for Photography (HCP).

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Ingmar Björn Nolting: Humanity In Focus

Ingmar Nolting, born in 1995, is a German documentary photographer whose work transcends the boundaries of traditional photojournalism. Known for his profound ability to capture the essence of human experience, Nolting's images reveal intimate and powerful stories that reflect the complexities of contemporary life.

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Spotlight on: Antonio Aragón Renuncio

Antonio Aragón Renuncio is a remarkable photographer whose work is characterized by narrative depth, technical proficiency, and humanitarian focus. His ability to capture the essence of his subjects with authenticity and sensitivity, combined with his commitment to raising awareness about important social issues, makes his photography impactful and inspiring.

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